Recently
I’ve noticed an increase in the amount of creative which has a #tag somewhere
in its midst; such as:
The typical copywriter’s
justification for such an insert is that it “adds a social element to the campaign”. However I would broadly contend this.
The inherent
nature of the #tag inevitably adds a “social element” to a campaign. However unless the #tag leads to a
conversation or something more than a
singular tweet/post, it can be argued that any such action is not truly social.
Additionally,
a tenuous link between the #tag and product/service offered – as with the
example above - doesn’t indicate any value exchange that may occur in return
for the consumer’s social action. This,
alongside the fact that consumers are typically exposed to such creative in
internet bereft tube stations, and consequently meant to remember to respond to these randomly placed #tags, vastly
decreases the volume of responses[1].
It could
even be said that incorrect use of #tags can actively hinder a campaign; as whilst
many consumers are now using Twitter, far more aren’t. So using language that is foreign and
potentially confusing to a consumer, is not only is a cardinal creative sin,
but may alienate the target audience and devalue the authority of the brand to
the consumer.
*
The moral of
this rant is that whilst users may treat #tags as throwaway signatures of
irony, an affiliation to group or topic, etc, advertisers can’t.
In the
absence of something particularly entertaining or interesting that consumers
will actively want to mention, #tags should only be used in copy as part of a wider
consumer experience, with clearly defined objectives. There needs to be back end content (ideally
alluded to in the creative) to incite participation and facilitate a positive
brand experience for the user.
Though this
isn’t a walk in the park, inter-agency collaboration at the point of the
initial communications brief can ensure that all sections of the campaign
ultimately come together to deliver a meaningful journey and experience for the
consumer[2]. Without it, the often confusing or disjointed
journey (if there is one) that consumers are taken will result in a user journey
the consumer will not so willingly embark upon again.
[1] This example has only received 7 tweets in the last 7 days
[2]
A simple example would be: A drive to sign x number people up for a
charity run through Facebook. Some
creative running cross media shows an asset of theirs e.g. Paula Radcliffe
signed up, suggesting people #runwithPaula on y date. On Twitter, search for the #tag are links for
training tips and stories on who you’re helping if you sign up to facebook via
the link, where you can find additional content (though also being encourage to sign up for the run - where you get a goody bag or something). This would entice people into starting the user journey, and at each stage encouraging them to go further to the point at which they've signed up, whilst being able to measure the volume and nature of each social interaction to the point of achieving the KPI of signing up.
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